Raman Raghav 2.0 – Less Anurag, more RGV!
No, this isn’t Anurag Kashyap. Echoed my mind, few minutes into Raman Raghav 2.0. Stylized, gory and equally pointless in…
Hamsalekha – The man who reinvented Kannada film music…
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Growing up listening to Hamsalekha’s eclectic music is one. Discovering Kannada film music through Hamsalekha is another. I belong to…
Dhanak – Two endearing children, an eventful journey and plenty of smiles!
If Nagesh Kukunoor’s latest venture Dhanak were to be categorized, it belongs to the ‘fairy tale’ genre as opposed to…
Udta Punjab’s soundtrack has melody, variety and oodles of style!
Every person and his dog has an opinion about Udta Punjab. The moral police, the NGOs all are queuing up…
Te3n – Strange concoction of good drama and bland suspense!
Ribhu Dasgupta’s Te3n – One instance where the genre turns out to be a film’s liability. At times, an endearingly…
How ‘Parineeta’ evolved from 1953 to 2005…
June 10 – Marks the 12th anniversary of Pradeep Sarkar’s sparkling directorial debut with Vinod Chopra Productions’ Parineeta. With an…
